Stone Oakvalley's Authentic SID Collection (SOASC=)
The automated Commodore 64 SID Music recorded to MP3/FLAC. Project based on High Voltage SID Collection & Compute's Gazette SID (CGSC)

                               

A WWW.STONE-OAKVALLEY-STUDIOS.COM & WWW.DIRTCELLAR.NET COOPERATION
www.6581-8580.com and www.paula8364.com searchengine
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SOASC / SOAMC is being restructured Lost of stuff may / will not be working! To get your fix - go to our mirrors instead Or head over to www.commoradio.net and enjoy! NOTICE: While we are strictly non-profit and urge everyone to donate to their favorite composers/releasers instead of us we would be very happy if someone would like to donate one or more working (used is just fine) 3.5" SATA harddrives of 1TB or more for running this server and for backup purposes. If you want to help us - please don't hesitate to contact us!
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Archive version: BASE: ALL SOASC= SOAMC=   Detailed list Multi search
Songtitle:   Format:   Year:
Composer(s)/From game:   Raw data:   Duration:
Releaser:   Full search:   Path/Filename:
Searchresult(s) : 0 Searchtime : 0.030761 seconds
-1000 -500 -250 -100 -50 -25 -10 -5 <<<<  
/   >>>> +5 +10 +25 +50 +100 +250 +500 +1000 
Songtitle ▼Download Mp3Composer ●Releaser ●Duration ●Year ●Format ●
┌  Kettle  
   1/ 2
 R2 
 
 R4 
 
 R5 
 
 SID 
  ~4.27 MiB
+
 Ben Daglish
+
 Alligata
+
 02:39
+
 1986
+
 PSID
 MUSICIANS/D/Daglish_Ben/Kettle_T01.sid_

 Timing: 
 PAL (50hz)
 MOS6581R2 2383 
 Size: 4.27 MiB MD5: c52ee04fff7f2c5b6e165cab23b6f46a
 MOS6581R4 3387 14
 Size: 4.27 MiB MD5: ab7d554ad6dec5c91821622ffdde953e
 CSG8580R5 2689 25
 Size: 4.26 MiB MD5: b07f917f8dc4a82bc62f0b003369328c
 © Copyright information 
 
 STIL 
 
 RAW 
 

  
└  Kettle  
   2/ 2
 R2 
 
 R4 
 
 R5 
 
 SID 
  ~4.43 MiB
+
 Ben Daglish
+
 Alligata
+
 02:45
+
 1986
+
 PSID


!COPYRIGHT NOTICE: The sound material presented on this website are copyright to its respective owners/composer(s) and/or release/publishing company(s). If you intend to use the sound material commercially, please ensure you go through the effort to get the rights to use it by written permission from the owner(s) and/or release/publishing company(s). Ensure not just permission but also that the composer gets due authorship credit (and payment of course) on the record. Distributing the sound material as-is, remixed, or in parts without doing the above and with the intent of profit is subject to law.